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Copper Plate Photogravure: Demystifying the Process, by David Morrish, Marlene MacCallum
Fee Download Copper Plate Photogravure: Demystifying the Process, by David Morrish, Marlene MacCallum
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Copper Plate Photogravure describes in comprehensive detail the technique of traditional copper plate photogravure as would be practiced by visual artists using normally available facilities and materials. Attention is paid to step-by-step guidance through the many stages of the process. A detailed manual of technique, Copper Plate Photogravure also offers the history of the medium and reference to past alternative methods of practice.
Copper Plate Photogravure: Demystifying the Process is part of the current revitalization of one of the most satisfyingly beautiful image-making processes. The range of ink color and paper quality possibilities is endless. The potential for handwork and alteration of the copper plate provides yet another realm of expressive variation. The subject matter and the treatment are as variable and broad as photography itself. This book's purpose is to demystify and clarify what is a complex but altogether "do-able" photomechanical process using currently available materials. With Copper Plate Photogravure, you will learn how to:
� produce a full-scale film positive from a photographic negative
� sensitize the gravure tissue to prepare it for exposure to the positive
� prepare the plate and develop the gelatin resist prior to etching
� prepare the various strengths of etching solutions and etch the plate to achieve a full tonal scale
� rework the plate using printmaking tools to correct flaws or to adjust the image for aesthetic reasons
� use the appropriate printing inks, ink additives, quality papers, and printshop equipment to produce a high
quality print
A historical survey and appendices of detailed technical information, charts, and tables are included, as well as a list of suppliers and sources for the materials required, some of which are highly specialized. A comprehensive glossary
introduces the non-photographer or non-printmaker to many of the terms particular to those fields and associated with this process.
- Sales Rank: #1144891 in Books
- Published on: 2003-04-05
- Original language: English
- Number of items: 1
- Dimensions: 11.25" h x 8.50" w x .50" l, 1.63 pounds
- Binding: Paperback
- 250 pages
About the Author
David Morrish is a professor at Sir Wilfred Grenfell College, Memorial University of Newfoundland and past head and chair of the Visual Arts Program. He teaches all levels of photography, and has taught several senior level students the photogravure process. He has also taught and worked with alternative photographic processes such as cyanotype and gum bichromate printing. His photographic and photogravure work has been shown across Canada and internationally, and he has been supported by several Canada Council Grants.
Marlene MacCallum is a professor at Sir Wilfred Grenfell College, Memorial University of Newfoundland and past chair of the Visual Arts Program. Her primary teaching area is printmaking, all media and levels, and her secondary areas are introductory photography and drawing. She has taught the photogravure process to several senior level students and in workshops. She lectures and exhibits nationally and internationally. Her photogravure prints and book works have won a variety of awards, including the Grand Prize at the first International Contemporary Print Biennial in Trois-Rivi�res, Quebec and Honorable Mention from the Nexus Book Prize in Atlanta, Georgia.
Most helpful customer reviews
9 of 9 people found the following review helpful.
A very user friendly book on photogravure
By J. Reisland
This new book on the process of photogravure is very well done. It's basic technique is very similar to Deli Sacilotto's now out of print (and almost impossible to find) book. However, Morris and MacCallum have added many useful hint and detailed steps. They have also included a wealth of step by step photographs, and a trouble shooting section at the end of each chapter. With all the variables that can (and always do) creep into the photogravure process, these trouble shooting sections could be very useful. Photogravure is a very complicated process, but, as the title of this book suggests, it should help to sort out a lot of the mystery. This is the most useful book I have read on photogravure, and, heck, it's the only one in print right now!
3 of 3 people found the following review helpful.
Very technical and complex
By James
This book is very detailed, technical and complex. If you're seriously considering exploring the photogravure technique on copper, this book is a must. It tells you everything you will ever need and all the complicated steps in the process. However, there are few historical or contemporary photogravure reproductions which is why this book gets only a four star rating from this reviewer. If you are seriously considering the photogravure process as one you would like to explore, I recommend starting with solar plates rather than copper. It is much less complicated and toxic. A very good resource is "Printmaking in the Sun" (2001) by Dan Welden, inventor of this method.
0 of 0 people found the following review helpful.
Demystified but still complicated
By Gene Bagdonas
This is a well-written and well-illustrated book that exposes the secrets of copper plate photogravure. This is a traditional process, pretty much as used by practitioners in the late nineteenth century. Copper plate photogravure is toxic, and is a time intensive process filled with dangers of failure every step of the way. Which is why photopolymer photogravure has been ascendant because of its low toxicity and relatively uncomplicated processes.
The authors provide step-by-step checklists for what to do for every part of the process. Also included are detailed appendices covering safety considerations, making the dot screen, a discussion on choice of printing inks, and suppliers of materials. If you have had any experience with other photo-mechanical printing, and you have the facilities, you can probably dive right in, but a workshop would really be recommended to fully understand this process.
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